Was Amru Sani the first Indian to make it in the exalted world of American show biz? In the 1950s, Sani had a brief streak of fame in the US, appearing in a Broadway revue and cutting a bunch of popular records. In 1953, when Sani was booked for an assignment in Hollywood nightclub called Ciro’s, the New Journal and Guide described her as “India’s Lena Horne”. It was clear that she’d made quite an impression her audience. “The Hollywood nightclub male habitués responded to this Indian love call – Bombay, India, that is – in such large numbers that Amru is assured of success on her American tour,” the paper gushed. It added her name meant “goddess of love”.
A few months earlier, Variety magazine was all praise for her stint at Statler’s Embassy Room in Washington. “She has a regal bearing and generally carries herself almost ramrod stiff with her arms at her sides and slightly bent backwards. Occasionally, she lifts her hands in clawlike motions for emphasis,” Variety wrote. “She is a sultry stylist, holding herself somewhat aloof from her audience and with a theatrical sophistication which should do well in class rooms like this. Voice is husky, often sinking to a low softness, sometimes rising to a shout.”